Latin Perspective reviewed in The Strad (May 2012 issue)
Monday, May 7, 2012 at 8:31AM The Strad, ".....the high point of the recording - a finale that flashes and crackles with string surges and earthy hits on the guitar's bass end....."

Monday, May 7, 2012 at 8:31AM 
Monday, May 7, 2012 at 8:19AM Santiago will be playing with Ahmed Dickinson Cardenas at Ronnie Scott's on July 29th as part of the second Classical Kicks night. More details to follow, but this promises to be an exciting evening with other wonderful guest appearances. Classical Kicks was launched on April 29th this year by Lizzie Ball and the first event was a huge success, with performances from stellar musicians including pianist Tom Gould, baritone Njabulo Madlala and guitarist Morgan Szymanski.
Watch this space for more information on how to purchase tickets and the final line-up.....
www.ronniescotts.co.uk
Thursday, March 1, 2012 at 7:16PM 
Programme:-
String Quartet - Will Todd
Musica de Feria - Silvestre Revueltas
Suenos de Sefarad - David Stock
Adios Nonino - Astor Piazzolla
Presto II - Miguel del Aguila
Wednesday, February 1, 2012 at 7:37PM

Ahmed Dickinson has been nominated for BEST ARTIST in the Songlines Music Awards 2012. Latin Perspective, recorded in collaboration with the Santiago Quartet is a collection of contemporary classical works, for quartet and guitar with quartet by prominent South American composers.
The Songlines Music Awards endeavours to celebrate and acknowledge the myriad of musical talent across the world that has been featured in previous editions of Songlines Magazine.
Public voting closed in January. The results of these votes will be out in March, at which point the 4 finalists in each of the 4 categories will be announced and go to a jury vote. Final results to be announced in June. The winners are given the amazing opportunity of performing at this year's WOMAD Festival in Charlton Park (26-29 July).
Wednesday, February 1, 2012 at 10:33AM Santiago's debut album, Latin Perspective, received a wonderful review in the January-February 2012 edition of Gramophone. Please go to our review page to see the full write-up.
